Archief voor maart, 2016

Fluid Audio FPX7 Ribbon Montor Speaker

Geschreven door peter op . Geplaatst in Fluid Audio, Nieuws

        

Building upon the acclaimed Fader Series of studio monitors, Fluid Audio now announces the new FPX (Fader Pro Coax) line of monitors, with the FPX7 leading the way. Featuring beefed-up Class AB amplifiers, a performance toroidal transformer for superior noise characteristic, optimized composite cone woofers and AMT tweeters, the FPX7 produces the most accurate monitoring experience in its price range.  With its lightning fast response, the AMT tweeter provides detail and depth only seen in Professional studios. What makes the FPX7 so unique, however, is that the AMT tweeter is mounted in the center of the woofer – in a coaxial configuration, which makes this speaker the first of its kind. Coaxial drivers, found in such world renowned monitors such as the Manley ML10, provide such accuracy and detail because all of the frequencies coming from the tweeter and woofer radiate from the exact same position in space.  This is critical for accurate off-axis response as well as phase coherence.  The AMT tweeter is mounted to a custom designed waveguide, which provides it with wide dispersion and an expansive sweet spot.   The complex, DSP controlled crossover provides a perfect blending of the woofer to the AMT tweeter, and ensures that there is effectively zero variance speaker-to-speaker. The “engine” is DSP powered.

FPX7 Highlights:

  • Seamless, transparent response in a compact footprint
  • 7” composite cone, low-frequency driver
  • Air motion transformer (ribbon) tweeter provides an extremely fast and accurate response
  • Bi-amplified 140Watt Class A/B amplification (90w woofer/50w AMT tweeter)
  • Acoustic Space Control lets you calibrate the FPX7 to your mixing environment ( 0, -2, -4db )
  • Tweeter high frequency trim control ( +2, 0, -2db )
  • Fader Volume control on front baffle for easy access
  • 42Hz – 27kHz frequency response
  • Front loaded slot port for directional bass response
  • Amplifier standby function to conserve energy
 
Specifications
• Frequency response: 42 Hz till 27 kHz
• Crossover frequency: 3.5 kHz
• Amplifier power: 140 watts RMS
• Signal-to-noise: > 100 dB (typical A-weighted)
• Polarity: Positive signal at + input produces outward LF one displacement
• Input impedance: 20 k ohms balanced, 10 k ohms unbalanced
• Input sensitivity: 85 mV pink noise input produces 95dBA output SPL
@ one meter with volume control at maximum
• Power: Factory programmed for either 100 – 120V – 60Hz, 220 – 230V – 50Hz
• Protection: RF interference, output current limiting, over temperature, turn-on/off
• transient and subsonic filter
• Cabinet: Vinyl-laminated MDF
• Size (single monitor): 256 x 174 x 193 mm (HxWxD)
• Weight (single monitor): 16.8 lbs. / 7.5kg

#fluidaudio #speaker #monitor #ribbon

 

2box contest !! The Drumsound Experience by 2Box & S.E.T.

Geschreven door peter op . Geplaatst in 2Box, Nieuws

Do you have a good hearing ability? We recorded 3 video’s. One of them has the correct and prize winning audio / video combination. The other two videos have audio and video mixed up and we i.eg. show a sequence of the acoustic drumkit and you hear the sound of the e-drumkit. Or Vice versa. In one video, we even mixed up the video and audio combination completely.

Please click here to find the contest

1st Prize S.E.T. course valued € 3.480,00

2nd Prize 2BOX DrumIt Five Mk2 valued € 2.999,00

3rd Prize Fluid Audio F5 valued € 299,00

4. Prize Ultimate Acoustics Studio Bundle II valued € 252,00

5. Prize RODE M5-MP valued € 199,00

Share & Profit Special raffle for likes and shares on Facbook

1 of 3 PreSonus HD7 each valued € 139,00

#hyperactivebenelux #contest #2box #drumit5

Promotion Presonus StudioLive RM16/32 AI till 31/05/2016

Geschreven door peter op . Geplaatst in Nieuws, PreSonus

2016-03-10 hyperactive prijsverlaging rm serie

Follow this link for compare models

We offer two StudioLive RM models. The RM32AI has 32 mic inputs and 16 Mix outputs and mounts in four rack spaces; the RM16AI has 16 mic inputs and 8 Mix outputs and mounts in three rack spaces. Otherwise, the two mixers are identical in every respect. Since these are rack-mount mixers, they do not have a hardware mixing surface; all controls are provided in UC Surface software for Mac, Windows, and iPad. Unlike the XMAX™ preamps in the StudioLive AI series, the XMAX preamps in the StudioLive RM series are recallable, and their settings can be saved with a mixer scene. However, the StudioLive RM-series preamps are true Class A, solid-state, analog XMAX, and they are sonically identical to the preamps in the StudioLive AI series, which are adjusted with an analog trim pot. Like StudioLive AI-series mixers, StudioLive RM-series mixers are Active Integration™ products, with the same CPU, wireless and wired networking with Wi-Fi LAN adapter, FireWire 800 connectivity and recording, and other standard Active Integration features. They accept the same networking option cards as the StudioLive AI-series mixers. StudioLive AI-series mixers, of course, have a complete, analog-like mixing surface with real faders, knobs, and buttons and a full set of LED meters. Almost all controls are also found in VSL-AI software for Mac and Windows and SL Remote for iPad.

#presonus #studiolive #rmseries @mixers